Friday, July 03, 2009

Skull Takes A Chance On Experiencing Brown Notes... Sunn O))) Live...

In a soon to be published review at Live 4 Metal, I state that "Monoliths And Dimensions" may just be the album of the year. Skull agrees. He ends up being the lucky one this time around, as Sunn O)))'s appearance in Los Angeles will not occur until August 11th. However, Sunn O))) flattened Chicago on July 2, and Skull was there (did he fall asleep beforehand?)...

Bands: Sunn O))), Eagle Twin, Chord

Venue: Empty Bottle, Chicago, Illinois

Date: July 2, 2009

"I should have taken the Goddamn train. Taste of Chicago, the beginning of a holiday weekend for most, and the stupid Cubs game (they won, too bad) made for an awfully bad commute down to the Empty Bottle for the Sunn O))) show that would kick off their tour of the Midwest.





After I lost the loser Cubbie fans at Irving Park Rd. and then at Addison St., I moved a bit quicker down I-94 to Division, then to Western, and then, finally, to the club. I could have slept on the train. Being obscenely early for the show as I am with most shows, I was able to park just up the street from the bar. I decided to grab a bite at the aptly named Bite Café, which is joined to Empty Bottle at the hip. While walking past Empty Bottle I could clearly hear Sunn O))) doing their sound check. I popped into Bite and grabbed a table. I asked the waiter for a barley pop and he told me it was BYOB. But, I could sneak through the secret door in between the club and the diner and grab one at the bar. I entered through the door and into a wall of fog obscuring the hallway and openings to the other rooms. I took a left and groped my way through and saw the stage lit up in front of me with none other than Greg Anderson and Stephen O’Malley in their civvies discussing the details of the sound check. They were obviously testing the fog machine as well. I wanted to crawl into a corner and just watch but I slinked up to the bar instead and ordered my drink, although I could not read the chalkboard menu due to the dense fog. When I returned to the diner, I was treated to a rehearsal of bits of “Aghartha” and “Hunting And Gathering (Cydonia)” through the walls. The waiter at Bite told me he had heard many sound checks before, but none this loud. I then ate the best Green Curry dish I have ever ordered anywhere.

After eating, I took a couple pics of the outside of the club, wandered inside, sat at the bar, and watched the other musicians tune up. Empty Bottle is pretty much a small dive (and I say that in the most complimentary way) with a long bar and a small stage in the corner. It can hold maybe 250 people max. There were just a couple of patrons there that early. I decided to take a look around and almost literally bumped into O’Malley and Anderson as they were moving equipment around. I wanted to shake their hands and thank them for playing Chicago but I didn’t want to be a douche so I gave them an acknowledging nod which was returned and I moved on.

At 8:00pm sharp, a bar employee started taking our bar stools out from under us in preparation for the show (“chicken wire?”) I noticed that a long line had formed outside of the club with people waiting to get in for the show. I guess I snuck in under the ropes just in time, so I was able to get an up close look at the bands. The doors opened and the concert goers started to fill the room. I noticed that the cool kids were drinking Pabst Blue Ribbon beer like they had been doing at Bottom Lounge when I was there awhile back for WITTR. I checked the merchandise table, grabbed a M & D tour shirt, and then ran it out to my car.

At 9:30pm sharp, Chord, a local band, started up their set. At this point I had no idea a third band had been added to the bill, but I knew there must have been a third because one band tuned up with a drum kit and this band had no drum kit on stage. Chord simply flattened the crowd with a 35-minute set consisting of one piece of rolling drone. It was loud, heavy, very interesting, and held my attention the whole time. One of the band’s guitarists looked very familiar to me but I couldn’t place him. They were a 5-piece ensemble with 4 guitars (I couldn’t see how many were bass) and one guy who seemed to be operating a sound effects box or something. After the set, I talked to someone who told me the band’s name and that the guitarist I recognized is a member of Pelican.

After a 25-minute change over, Eagle Twin (from Utah) started up. Eagle Twin is a two-man band. One member covers the bass/vocals and the other is the drummer. When they began I didn’t have high hopes for the set but they really impressed me. The bassist was using a six string and worked the thing over like no other bassist I had ever seen. It wasn’t finesse bass like Geddy Lee or Les Claypool. He played that instrument like it was a lead guitar, rhythm guitar, and a bass at the same time. I had to look close to see if he was using a Warr Guitar or something because he was able to make so many different sounds at the same time. They plowed through a 35-minute, two-song set of killer stoner doom like nobody’s business. The drummer was right on the money and they proved they didn’t need any other guitars to complicate their music. They looked like they were treating the set as a garage rehearsal and they really seemed to have a great time. I was so impressed with them that I bought their yet to be released debut CD.

After a 45-minute change over in which Stephen, Greg, and their Moog operator did last minute sound checks and fog machine checks, they disappeared off of the stage for a few minutes. Then, the fog machine started going full blast and filled the room up. By now I had moved up and was one person deep and dead center of the stage. The house lights went down and the hooded members of Sunn O))) took the stage through the fog to roaring applause. They were silent, slow moving, and seemed to be indifferent to the crowd’s reaction although one of them, I couldn’t tell who, did hold up a bottle of wine in a cheers motion.

They began their set by starting up “Aghartha”. My intestines started shaking and my eardrums started rumbling and I smiled with satisfaction. I had waited a long time to see these guys and if it meant I’ll go deaf two years ahead of schedule because of it, then so be it! They were incredible and everything I hoped them to be. After the long instrumental intro to “Aghartha”, Attila joined them on stage looking like the fucking grim reaper minus the scythe with his tattered hooded monk’s robe so deep I couldn’t see any facial features at all. But his signature voice gave him away and everyone knew he’d be there anyways. “Aghartha” is a great song and it seemed to be somewhat challenging for Sunn O))) to pull it off live. They did an excellent job, but the ending of the song is somewhat anti-climactic and sort of just drifts. They pulled out of it by ripping into “Hunting And Gathering (Cydonia)”. Holy shit, it was so loud and heavy! Attila’s voice is so incredible that it just changes into another instrument with heavy distortion complimenting the others. I was blown away.

After that, I was somewhat confused as to what they played next. It had many attributes of “Big Church”, but wasn’t exactly the same. I didn’t recognize it as anything else. It was incredibly loud glacial drone. There were points that sounded exactly like “Big Church” and others that came out of nowhere. Towards the end, Attila started screaming in a high pitched but not overly loud way. Greg and Stephen then went from amp to amp and turned them all up and held their guitars up close for the monster feedback. It was the loudest sound I have ever experienced and almost took me to my threshold. They let themselves go from incredibly loud to a soft hum and wrapped up the set to crowd that was initially stunned to silence. Then everyone started to wake from the trance and gave them one of the longest ovations I’ve ever seen a metal band get. By now they had pulled their hoods down and were acknowledging and thanking the crowd. Attila seemed to be very touched by their reception and voiced his gratitude before leaving the stage.

At this point, it was 1:15am and I needed to make a quick getaway so I could get home and write this up. Sunn O))) pulled out a Hell of a show tonight, and I feel honored to have been there. This was a show I will probably not forget for the rest of my life, even in senility…"

Skull's pics!

Chord



Eagle Twin



Sunn O)))











The t-shirt haul...



Maybe I can convince Steph to go with me to this one...

Wednesday, July 01, 2009

Selected Bands from the Summer Slaughter 2009 Tour...



Summer Slaughter 2009 (selected bands)

Date: June 30, 2009.

Venue: HOB Sunset Strip, West Hollywood, California.

Last year’s Summer Slaughter was a debacle. This year’s tour also had the makings of a debacle, as well, but was saved by a couple of death metal heavyweights anchoring the lineup. In all, 50% of the bands in the lineup interested me, and I decided to wade through all of the prepubescent mallcore/ emo kids that would show up for the other 50% of the show such that I could see the mighty Suffocation perform new songs off of their latest opus, “Blood Oath”. The other bands of interest to me were Decrepit Birth, Origin, Dying Fetus, Ensiferum, and Necrophagist as the main headliners playing above Suffocation. Except for Darkest Hour, I ignored the rest.

From the standpoint of an examination of heavy metal sub-culture, this was a bit of a strange show with an obvious division in the crowd. Half of the crowd consisted of metalcore/ slam fans, all hovering around 15 years old or so, and the other half consisted of death metal fans ranging from young to old. In between bands, it’s almost as if the crowd would switch as the genres were basically alternated throughout the day. One half of the crowd would be inside with their genre of choice on stage, and the other half would be aimlessly walking around the parking lot, as I did throughout the day. I also alternated between the bar, the bathroom, and the merchandise area, even though I didn’t end up buying anything (no t-shirt haul, sorry Cosmo). After the last act of interest to the metalcore crowd was finished (Darkest Hour), those fans all left the venue for good. Adding another weird feel to the mix was that about 25% of the remainder of the fans left after Suffocation and did not stick around for Necrophagist.

I arrived early after running an errand in Hollywood, yet missed Blackguard’s three-song set to open the show. Oh, well. Soon after, Decrepit Birth hit the stage and were quite good for their short set. A new song was featured from a yet to be announced full-length. Notably, most of the guys from Suffocation were up in the balcony watching their set. Next up for me were Origin, who, frankly, smoked through their blisteringly fast set that evoked an energetic response from the death metal crowd. After examining the parking lot in detail, I headed upstairs to catch Dying Fetus, a band that has more than paid their dues and should’ve been closer to the headliners than their placement in the lineup. Even still, DF delivered a great set that had the crowd really moving as the 15-year olds fled outside.

After more examination of the HOB’s grounds, I actually set myself up behind the mixing board to watch Darkest Hour. Not really familiar with the band, they actually weren’t that bad with well-played melodic death/ thrash. Good musicianship saved them, in my book, and I found them enjoyable.

At this point the kids cleared out, I got close to the stage, and Ensiferum opened up the headliners with a great, 40-minute set. Highlights included “Iron” and “Deathbringer From The Sky” as the crowd of serious metalheads was now jumping. Soon after, anticipation was high as the mighty Suffocation took the stage and just brought the house down. Firing on all cylinders for their 50-minute set, Suffocation concentrated on material from “Effigy Of The Forgotten” and “Blood Oath”. The place went absolutely nuts for “Infecting The Crypts” and “Habitual Infamy”, as well as the newer material from “Blood Oath”. In particular, the title track and “Cataclysmic Purification” were very well received. After a long day, Suffocation would be hard to top.

A lot of people left the venue at this point, and I did overhear some grumbling throughout the day that Suffocation should be headlining above Necrophagist. At any rate, I found Necrophagist to be boring and a bit of a let-down after Suffocation. I only stuck around for about half of their set, but the band appeared lackluster and tired, did not have any stage presence whatsoever, and, to these ears, sounded sloppy. I didn’t stay for the much anticipated new material, but after so long of a time since “Epitaph”, I’m rapidly losing interest in the band, anyway.

So, there you have it. A mixed bag, to be certain, and I’ll leave it up to you to determine whether or not it was all worth it.

Some pictures...

Decrepit Birth



Origin



Dying Fetus



Darkest Hour



Ensiferum



Suffocation



Necrophagist



Some video...

Origin



Ensiferum



Suffocation



Incoming...

Sunday, June 21, 2009

Impiety "Terroreign: Apocalyptic Armageddon Command"



Singapore's Impiety return with a full-length follow up to their recent "Dominator" EP (Pulverised Records). Entitled "Terroreign: Apocalyptic Armageddon Command" and released on Agonia Records, this is the first full-length to feature yet another lineup in founding member Shyaithan's ever revolving door of lineup changes. Now notably featuring Tremor from Abhorrence on drums (whatever happened to them?), Impiety pretty much stick with the tried and true formula of rather sloppily played, over the top, blast away, blackened death metal, regardless of who is supporting Shyaithan.

All of it is done reasonably well on "Terroreign...", with one blast after another fired at the listener. Add to the chaos Shyaithan's obvious enthusiasm for his art form with leather and bullet belts galore, and I can't help but begin to compare Impiety to Dodsferd, another project loaded with infectious enthusiasm.

At any rate, there aren't any surprises to be had on "Terroreign...", and if you're familiar with Impiety, you will have good reason to stick around for this one. My honored colleague Crin was also suitably impressed with "Terroreign...", and you can read his, ahem, enthusiastic review here.

Impiety MySpace (Official)

Agonia Records

Vientos De Holocausto

Upcoming...



Wednesday, June 17, 2009

Obituary "Darkest Day"

Here's another review of an album already covered at Live 4 Metal, but one that's found its way onto my doorstep, as well. This time around, the album is the latest from Floridian giants Obituary.



Obituary- Darkest Day

(Candlelight Records)

It’s an Obituary album! What do you expect, some sort of a change or a departure? Well, that’s an honest question, given the mediocrity of “Bloodline”, the recent project from the Tardy Brothers. Thankfully, though, “Darkest Day” is yet another solid album since the band’s reformation with now Ralph Santolla firmly entrenched within the band and Allen West long gone.

The usual hallmarks of a solid Obituary album are present. Well written, catchy riffs, crushing heaviness beefed up by the usual production signatures from the band, the right amount of variation in speed, and so on. Is “Darkest Day” the best Obituary album? No, but it’s certainly not the worst, either, and is probably on par with “Xecutioner’s Return”.

Given these facts, if any fault can be found here (other than the fact that Obituary never really progress in any manner, even with the addition of Santolla), it would be the fact that the two original songs included on the “Left To Die” EP are present here, as well. However, the album is thirteen tracks long and never gets boring, so this is a minor quibble at best.

Other than that, what else is there to say? Anyone who’s been into Obituary since the beginning will continue to stick around, and newer fans can always start with “Darkest Day” and work their way through the band’s entire discography. Will “Darkest Day” end up on anyone’s Top Ten List? Not a chance, but that’s not really the point anymore. You’ll still enjoy it, nonetheless. You can read Chris Davison's review here.

Obituary Official

Candlelight Records USA

Candlelight Records UK

For some bizarre reason, the Redondo Pier right down the hill from me is having a metal show at a local bar (the bars around here studiously avoid anything remotely connected to metal)...

Friday, June 12, 2009

Skull Dives Into the Ashes of What Remains of Blackened Fest...

By now, everyone knows that Blackened Fest, the monstrous tour featuring Mayhem that had been plagued by problems from the start (Marduk), fell apart in Denver a few days back. If you're interested, you can read various accounts of what transpired here and here. Undoubtedly, all sorts of finger pointing between bands, booking agencies, promoters and so on, has been going on. Ultimately, though, music is a business. We, as fans, are consumers of a product and bands that monkey around with their customer base and take us for granted do so at their own peril, regardless of status (GM? Chrysler? Good riddance).

As D.R.I. put it...

Give My Taxes Back

At any rate, Mayhem decided to honor their committments as headliner for the remaining shows after everyone else dropped off the tour. Stories immediately started to circulate that Nachtmystium, Lair of the Minotaur, and Yakuza had jumped on board to open for Mayhem for the band's appearance at the House of Blues in Chicago. Yes, as you can guess, Skull was immediately much more enthused about this show than with the original lineup of decidely non-black metal bands. So, the questions for Skull to answer for us are:

1) Did Mayhem even show up?
2) Did Mayhem have any merch for sale?
3) Would Nachtmystium et al honor their pledge to appear as support?

and...

4) Did Skull fall asleep in his car before the show?

So, without further delay, here's Skull's review...

Date: 6/11/09

Bands: Mayhem, Yakuza, ?, and ?

Venue: HOB, Chicago

"I heard the news yesterday that the Blackenedfest had disintegrated and that Cephalic Carnage, Cattle Decapitation, and Withered were no longer on the bill. This fact, on top of knowing that Marduk still hadn’t even reached the U.S., left me wondering how tonight’s show would be pulled off. As far as I knew, Lair of the Minotaur was still on tap and that Nachtmystium and Yakuza had been added to the bill. I was looking forward to seeing Lair of the Minotaur and was totally stoked to see Nachmystium. I have not seen them since the release of "Assassins..." and was dying to see that awesome new material translated into a live setting. I was curious though if Blake Judd’s leg had healed enough since they had to bail on the spring tour with The Haunted because of his accident. Either way, I was looking forward to the show because my old friend Pat (Editor: 15 years plus, Dude) is in town and would be joining me.

I picked up Pat and we headed to HOB and the smoldering ash remains of Blackenedfest. I wasn’t actually sure when the show would start since the lineup had changed, but, luckily, we got there about 15 minutes before the show started. I snatched up a Mayhem shirt (Editor: OK, that's answered), and then Pat and I sat in the bar area, ordered a drink, and were thoroughly confused as to what happened next.
The show opened with trio playing mediocre doom. Who were they? The Hell if I knew. They never bothered identifying themselves. The 30-minute set wasn’t all that great but I had definitely seen worse. After the set, there were mumblings from the crowd and someone even addressed everyone in the bar area and asked if anyone knew who had just played. No one replied.

I hit the bathroom and noticed that the buzz in there was about who the Hell had just played and which bands had now been added to the bill. I returned to the table and the second band started up. They were a 5 piece with John Belushi on vocals and a lady playing a violin to boot. I’m all for folk instruments being used in metal when used appropriately, but in this instance it was purely a gimmick. The singer mentioned their name a couple times but I couldn’t understand him. I did hear him say that they were from Aurora (asphinctersayswhat?)...



...and that they were playing a show at some dive in town. This was obviously the biggest gig they had ever played. Too bad they sucked rocks and probably played for free in exchange for the exposure.

After another quick changeover the curtain rose to the sight of a long haired dude wetting a reed on a saxophone. Oh God, what now? This must be Chicago’s Yakuza. The quartet played a set of mild to heavy jazzcore incorporating not just a saxophone, but what looked to be an oboe or a clarinet as well. The lead singer switched back and forth between these wind instruments from song to song. I know these guys have had some critical acclaim but I just wasn’t impressed and was now getting somewhat annoyed. I took comfort in the fact that Lair of the Minotaur and Nachtmystium still had their sets ahead.

During the break I ordered us some food thinking we would be there for a while yet. The lights dimmed, the curtain rose, and I was shocked to see Mayhem appear through the fog and rip into their set. As much as I had looked forward to seeing them, I couldn’t help my initial disappointment at the absence of two of my favorite local bands from the bill. After all, it was fucking eight o’clock and the headliner was taking the stage already? I had so looked forward to Nachtmystium. Mayhem were great and seemed unaffected (even unaware) of the shambles their tour had become. I guess this is called professionalism. Atilla’s voice was as raw and throaty as ever and, except for the fact that we couldn’t see Hellhammer behind his kit at all, the guys really put on a great show. The crowd went wild, quickly forgetting about the wool that had just been pulled over their eyes. The headbanging was fierce and pits opened up intermittently. I am not a fan of stage props unless used properly and felt Attila’s swinging and playing with a noose during the set was unnecessary, but was amused when he sang into the ear of the severed pig’s head on stage. It was very King Diamond-ish. All in all, their set was killer and I left pretty satisfied with them. But, I was utterly disgusted by how things had shaped up and how the show was haphazardly thrown together; losing the two support bands that would’ve really saved the day...

Special thanks to my twin sister Mary for giving me tickets to this show for my birthday."

Well, there you have it. Somewhat of a travesty, I would argue (anyone know, or care, who the openers were?). Personally, I have my doubts as to whether Marduk will fulfill their pledge to make up the lost dates, but I may be wrong. Skull's t-shirt haul for the show was the same as mine from my attendance, but he did send me a Krallice shirt from his attendance at that show awhile back...

Saturday, June 06, 2009

Brief Blast: Dead Man's Hand "The Combination"



Here's a brief review of an album already covered at Live 4 Metal, but one that has dropped into my lap, as well. Dead Man's Hand, from Norway, will undoubtedly evoke comparisons to Motorhead, given that the band name's is a famous lyric. At any rate, that's where the comparisons to Motorhead end, as Dead Man's Hand are a good, seamless hyrbid of Bay Area thrash with a touch of mid-paced Swedish death metal. Mostly, the formula works well, resulting in some infectiously catchy songs that do have a degree of staying power on the band's debut full-length, "The Combination", on Agonia Records.

A few moments of variation and melody are thrown in, as well as a few dirges evocative of Black Sabbath-inspired doom. By and large, however, Dead Man's Hand are at their best when you find yourself snapping your neck along with their thrash metal styled gallop. You can read my esteemed colleague Chris Davison's review here.

Dead Man's Hand MySpace (Official)

Agonia Records

Thursday, June 04, 2009

Blackened Fest!



Blackened Fest

Bands: Mayhem, Marduk (scheduled), Cephalic Carnage, Cattle Decapitation, Withered

Venue: House of Blues, Sunset Strip

Location: West Hollywood, California

Date: June 2, 2009

Just about everyone was surprised when the legendary Mayhem were able to acquire work visas for a tour of the United States (probably no one was surprised when Marduk were having trouble obtaining visas). Naturally, I had to get a ticket for the Blackened Fest’s date at the HOB on the Sunset Strip in West Hollywood, regardless of Marduk’s fate. A chance to see the founding fathers, if you will, of Norwegian black metal was not to be passed up. Rounding out the bill were the decidedly non-black metal bands of Cephalic Carnage, Withered, and Cattle Decapitation (not again).

I wasn’t able to arrive in time for Withered. In fact, I’m not even sure that they played, as the bartenders’ band schedule had them crossed off the list (as well as Marduk, who may not even play any dates on this tour from some of the rumors beginning to float around). At any rate, regarding Withered, their merchandise was on sale in a small corner of the venue, but I didn’t bother asking anyone about the band’s status that evening.

Cattle Decapitation were up first and I can’t really begin to describe how boring this band has become. A couple of lineup changes are taking their toll on the band’s creative output, and, although “The Harvest Floor” has been well received, Cattle Decapitation show no sign of improvement in a live setting. I spent their short set, marred by poor sound as usual, propped up against the bar.

Colorado’s very own hydrogrind superstars Cephalic Carnage, a band that seamlessly manages to mix stoner metal with all out, mind melting grindcore, hit the stage next. Frankly, these guys kick ass in a live setting and, although I haven’t paid too much attention to them since “Anomalies”, they were firing on all cylinders as the somewhat subdued crowd really warmed to them with an energetic pit opening up. A great set, complete with masks at the end, as the crowd was now primed for the appearance of Mayhem.

The curtain opens to reveal Mayhem’s stage set complete with animal skins, skulls, banners, heads on pikes, the whole nine yards. The band astride the smoke filled stage to reveal Attila Csihar in hideous corpsepaint, and Hellhammer’s kit adorned with animal imagery. The band opens up and the packed to capacity crowd goes absolutely apeshit. Mayhem fire through one classic after another covering the band’s full 25 year discography, and, only towards the end of the show, does Attila begin to address the crowd with thanks. Attila’s performance really makes the band’s live setting really mesmerize the audience, as his horror persona really dominates the stage. After a long set, Mayhem finishes with “De Mysteriis Dom Sathanas” and departs. Even after a couple of days, the performance is still soaking in. I look forward to Marduk making up the lost dates from this tour...

The pictures!

Cephalic Carnage



Mayhem















The t-shirt haul (front and back)...





The video...

Cephalic Carnage (with masks)



Mayhem (intro first)







On the horizon...



Skull's birthday wish to me...